Mr. Burns: A Post-Confusion Review

Pop culture is an increasingly important part of today’s society, and one that brings meaning to many people. In Anne Washburn’s Mr. Burns (A Post-Electric Play), presented by Madison's Forward Theater, a nuclear apocalypse causes people to turn to The Simpsons, of all thing.

The show, which is three acts long, focuses on the survivors of the apocalypse and the measures they take to remain sane in an increasingly insane world. The first act takes place not long after the nuclear event, and focuses on seven survivors sitting around a campfire, trying to remember the plot of Cape Feare, an episode of The Simpsons. In the second act, seven years later, the world has begun to recover, and groups are performing episodes of the Simpsons for entertainment. The third act shows a world 75 years later, where the Simpsons has taken on a mythic, folkloric quality completely different from the original show.

Elyse Edelman and Jake Penner

The set, designed by Keith Pitts, is made almost entirely from found materials, and adds an eerie, post apocalyptic mood to the show. Huge curtains made of trash bags drape the stage, and the floor is covered with woven mats.

The script, however, has some flaws. The first two acts were relatively easy to follow, but once the third act began, it was very difficult to follow. The time skip wasn’t easy to process, and all of a sudden this was a musical. The same actors played different characters in the third act, which led to no end of confusion, and it wasn’t until twenty minutes after the play had ended that I finally understood the allegory.

Marcus Truschinski, playing both Matt, an apocalypse survivor, and Mr. Burns, the villain of the third act, shows great range in his performance. As Matt, he’s cocky and funny, then completely transforms into the dark and intensely physical Mr. Burns. When he’s onstage, the attention of the room is on him until he leaves.

Elyse Edelman, Marcus Truschinski, and Marti Gobel

Another notable performance comes from Forward Theater newcomer Elyse Edelman. Last summer, she turned in several hilarious performances at American Players Theater, but she does extremely well with serious material as well. Her performance as Maria is interesting, funny, and most importantly, believable.

Mr. Burns isn’t a play for mindless entertainment. One should expect to leave the theater thinking. But this isn’t a bad thing. Washburn’s writing elevates something as mindless as the Simpsons to entertainment worthy of thought. And that is no mean feat.

You can buy tickets for Mr. Burns as well as other Forward Theater Plays here. Pictures courtesy of Jennifer Uphoff Gray. Photos taken by Zane Williams.